Celebrating 30 Years of The Alienist – Part Four

View Part One, Part Two, Part Three, Part Four, and Part Five of The Alienist 30th anniversary series.

We have now reached the penultimate post in our celebration of the 30th anniversary of The Alienist’s publication. In the series so far, we have discussed the novel’s origins (Part One), its release and first/special editions (Part Two), and the early attempts to adapt the novel to the screen, including glimpsing a rare leather-bound copy of Steven Katz’s script (Part Three). In today’s post, we will examine how the success of The Alienist led to the publication of a sequel before exploring the various uncorrected proofs (including a very rare proof), an advanced reader copy, first editions, and one example of a paperback that have been released for the novel over the years.

A sequel is called for

First edition of The Angel of Darkness

It should come as no surprise that the phenomenal success of The Alienist led to a book deal for a second. Partially inspired by Wilkie Collins who often had multiple characters narrating a single mystery, Caleb Carr revealed in interviews that he had similar plans for alternating narrators in the Alienist novels. Speaking to Crime Time in 1997, he explained that the original idea was for “the narration of each book [to] shift from person to person to person, with each narrator telling the story that was most significant for them. I chose Moore in the first book, as he was the most accessible of the group. He was modern in some ways, and I felt that people would have the least trouble with him.”

For the sequel, Caleb decided to shift to a narrator who was, in some respects, easier to write. He told The Seattle Times in 1997 that “Stevie is a little closer to me personally, in terms of growing up in a lot of different worlds, a lot of different levels of society, in New York.” In response to the Crime Time interviewer suggesting that this shift in narrator involved “cheating,” as Stevie was less educated than Moore, Caleb argued, “I didn’t have Moore’s attitudes myself, so you could say that I had to cheat with him as well. This is really to do with language: the way Stevie views the city is not slumming. He’s been there, he has lived in the lower depths, unlike Moore. To a degree, this reflects my background: I lived in an area where it was a question of slumming for the rich kids when they came to buy drugs and act disgracefully, before going back to their well-upholstered homes.”

In an interview with NewCity in 1997, Caleb revealed that he spent eighteen months “creating the world” for the novel that would become the sequel; and, according to Times Union, he would “disappear into 12-hour writing binges” while cloistered “in a fifth-floor walk-up apartment on the Lower East Side (in a family-owned brownstone).” The end result would be The Angel of Darkness, a 629-page novel that focused on a female serial killer driven to violence by society’s insistence that motherhood was the only “way for her to be a full, complete woman.” Speaking to Salon about why people find maternal violence particularly difficult to grasp, he said: “You want to believe that there’s one relationship in life that’s beyond betrayal—a relationship that’s beyond that kind of hurt—and there isn’t.”

The proofs are distributed

It is unclear when the manuscript that would become The Angel of Darkness was finally turned in to Random House, but a kind visitor to 17th Street, Steve Rogers, recently obtained what is likely to be one of the earliest extant copies: an extremely rare, non-copy-edited manuscript, signed by Caleb Carr, that was sent to a magazine reviewer in early July of 1997 to meet the lead time for their October issue. The manuscript came presented in a red two-piece tray case, and included a protective cover, a letter addressed to the reviewer by Pamela K. Cannon (a senior publicist at Random House), and an information page about the book. This is a truly special find.

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The Murder of the Century by Paul Collins

What better way to start 2017 than with a book blog about an entertaining piece of true crime that details a sensational murder that took place in New York in the summer of 1897, the same season and year that The Angel of Darkness was set—and indeed, that even inspired one of the fictional murders described in the novel. Described as “riveting” by The New York Times, this has been one of the most atmospheric pieces of true crime set in late 19th century New York that I have read to date. Provided one reads this work with both the strengths and weaknesses of this genre in mind (see below), I highly recommend this to readers of the Alienist books.

What’s it about?

A group of boys cooling off on a scorching summer afternoon in 1897 find a large parcel wrapped in oilcloth floating in the East River. Thinking they’ve made a fortunate find—it might be farm goods from Brooklyn—they eagerly unwrap the package, only to make a gruesome discovery: a headless human torso, arms still attached. The following day, a father taking his sons blueberry picking in the woods near Harlem also discovers a parcel wrapped in oilcloth. The contents of this one? The lower quadrant of a man, cut off at the thighs and waist. Meanwhile, a Long Island farmer’s ducks become sick after swimming in water turned red with blood.

The police investigating the find at the East River pier are convinced the perpetrators are medical students and make no further enquiries, even falsifying the patrolman’s report. It takes an exiled detective—one of Byrnes’ old men—to identify the grisly finds as a homicide case. However, as he starts to investigate the first few leads, he discovers that he is not the first to have made enquiries: enterprising reporters from the battling sensational newspapers of the Telegram, Herald, and World got there before him. The Murder of the Century documents the race to solve the crime and the sensational publicity circus surrounding the eventual trial, highlighting how the tabloid wars of the Gilded Age forever changed the face of newspaper journalism.

My thoughts

For years I’ve been looking for a piece of crime fiction as entertaining and evocative of late 19th century New York as the Alienist novels. The search has, by and large, been in vain. Although many attempts have been made, I have always felt that the Alienist books have been flagships in this genre that no others have quite lived up to. Given that The Murder of the Century is a work of nonfiction that I picked up simply to learn more about a real murder mentioned briefly in The Angel of Darkness, I little thought that I would find a contender here. You can therefore imagine my surprise when I started reading and found myself experiencing a similar feeling to what I’d felt back when I first picked up The Alienist.

Now, before I continue: a word of warning. The Murder of the Century belongs to a genre known as creative (or narrative) nonfiction. For anyone unfamiliar with this genre, it is nonfiction written in the style of fiction. The writing is compelling and dialogue is often included as full conversations. Even though works of this genre aim to create a factually accurate narrative, I acknowledge that this form of nonfiction has more pitfalls than any other. After all, if one is writing scenes from history as though they belong in a novel, does that not blur the line between fiction and nonfiction? However, provided that the research is thorough and the writer is careful—and that is certainly the case here where every source has been meticulously referenced—certain subjects do lend themselves to this genre. In this case, author Paul Collins notes:

The tremendous press coverage of this affair, with sometimes more than a dozen newspapers fielding reporters at once—not to mention the later memoirs of its participants—allowed me to draw on many eyewitness sources. All of the dialogue in quotation marks comes directly from conversations recorded in their accounts, and while I have freely edited out verbiage, not a word has been added.

Of course, this very strength potentially raises another issue. Specifically, given that this was the era of “yellow journalism”—and indeed, one of the purposes of this book is to highlight just how popular and competitive this new sensationalist reporting had become, often at the expense of facts—one may wonder just how accurate a work of narrative nonfiction primarily based off such coverage is likely to be. However, Paul Collins does his best to make sure readers are aware of the limitations of these sources, and has supplemented them with “court records and memoirs written by journalists and detectives from the case” as additional primary sources. My own feeling is that provided you approach a work like The Murder of the Century for what it is intended to be while keeping its strengths and limitations in mind, it can still be a thoroughly enjoyable way to gain more knowledge about a subject and time period that you might not otherwise obtain. I think of it in much the same way as TV and movie depictions of historical subject matter, such as HBO’s lauded John Adams adaptation from 2008. While the best of these adaptations attempt to portray their historical subject as accurately as possible, they are nonetheless a visual form of creative nonfiction.

In my own case, I feel that The Murder of the Century’s strength lies with its extremely atmospheric descriptions of New York in 1897. I suspect this is why it evoked the same sort of feeling I had originally experienced when reading The Alienist or The Angel of Darkness. We are there with the boys on the pier when they make their original gruesome discovery. A portrait of the grisly morgue at Bellevue is drawn for us as effectively as if we had been standing beside the slab on which the torso had been placed. And we spend a considerable period of time inside John Schuyler Moore’s world of journalism at the turn of the century. It is in this way that the book reads like the Alienist books, and is the primary reason that I recommend it to readers like myself who have tried, but failed, to find similarly atmospheric books set in New York in the late 19th century.

The other attraction for Alienist readers is the case The Murder of the Century focuses on. In Chapter 4 of The Angel of Darkness, Stevie and Cyrus collect the Isaacson brothers from a crime scene at Cunard pier. A group of boys who have been swimming to cool off found (you guessed it) a torso wrapped in oilcloth floating in the Hudson. While the case the Isaacsons are investigating is fictitious (it took place six days earlier, was found in the Hudson River rather than the East River, and the arms were removed from this torso), it was clearly inspired by the real case detailed in The Murder of the Century. In addition, one of the suspects in The Murder of the Century will likely be of interest to anyone who enjoyed The Angel of Darkness, as will the sensational trial described in the second half of the book; but to say more would give too much away.

So, if you are in the mood for a read that will take you back to the New York City described in the Alienist books, would like to learn more about John Schuyler Moore’s world of journalism in the late 19th century, or are at all curious to learn more about the real crime that inspired The Angel of Darkness’ fictitious torso case, The Murder of the Century might just be the book you’re looking for.

Third And Fourth Alienist Novel Announced!

In an exclusive with Entertainment Weekly, it was revealed this morning that Caleb Carr will be returning to the Alienist series. Mulholland Books have announced that they will be publishing two new Alienist novels that will act as ‘bookends’ for the two current novels in the series, The Alienist and The Angel of Darkness.

The first of the two new novels will be set 18 years after The Angel of Darkness, in New York City of 1915. Josh Kendall, VP, Executive Editor, and Editorial Director of Mulholland Books explained that this book, “set against a stage of rising nationalist violence and the early spy state,” is “centered on nativist violence and terrorism during America’s involvement in World War I.”

The second of the novels will take us back in time again, presumably to the late 1870s or early 1880s (assuming the events in the summary from the publisher’s press release matches the timeline already established in the series so far). In this novel, titled The Strange Case of Miss Sara X, “a youthful Kreizler, after finishing his psychology training at Harvard, falls under the spell of William James, has his first run-in with Roosevelt, and delves into the secret life of Sara Howard, heroine of the first books.”

For those of us who have wondered if there would ever be a third novel, official confirmation of two new Alienist novels is something to be excited about! However, the wait need not be arduous; we are also lucky enough to have Caleb Carr’s upcoming contemporary thriller Surrender, New York to look forward to! If you haven’t already done so, I recommend reading more about the novel and pre-order before its release on August 23.

Following The Footsteps of Dr. Kreizler: A Travel Blog – Part Two

View Part One and Part Two of Following The Footsteps of Dr. Kreizler: A Travel Blog.

As regular visitors would be aware, I took a slightly different approach with the 17th Street blog last week by posting up an account of my recent Alienist-related travels that took me from Toronto, down through New York state following the Hudson River, before finally arriving on the Upper West Side of New York City. This week, I conclude my travel blog with an account of the second half of my holiday in New York, predominantly spent in the historic districts around Union Square where I was finally able to visit the locations that make up the heart of the Alienist novels. Enjoy!

The Inn At Irving Place

Following my short walk in Central Park with thunder rolling in the distance and storm clouds threatening, I moved from my hotel on the Upper West Side to my second hotel in the East 17th Street/Irving Place Historic District where I stayed for my final five nights in the city. When I had originally decided that I wanted to spend at least a portion of my trip down in the Union Square area, I looked at a number of different hotel options but ultimately couldn’t go past The Inn at Irving Place.

Ideally situated, the boutique hotel offered an experience I would not get anywhere else: an opportunity to get a taste of my favourite characters’ lifestyles by staying in a restored New York brownstone located only two blocks from Gramercy Park to the north, two blocks from Stuyvesant Square to the east, and one block from Union Square to the west. After checking in with the manager whose desk was located in the front parlor (see photos 3-4 below), I stayed in the “O Henry room” (see photos 6-12 below) which was tastefully appointed with genuine antiques and was well-proportioned, quiet, and had an unexpectedly large bathroom (for New York City). Located at the back of the brownstone on the second floor, the room had a pleasant view of the terrace and surrounding buildings (see photo 13 below). My regular breakfast spot in the tea room on the first floor also offered a delightful view, both inside and out (see photos 14-15 below).

All in all, I couldn’t have been happier with my choice of hotel and highly recommend it for any Alienist readers or lovers of history who want to experience life from an earlier time in a restored New York brownstone. Watch the steps, though — they are steep! (Something I experienced later on at the Merchant’s House Museum, too.)

Given the storm that had moved in, I decided to stay close to the hotel for the rest of the day by getting a spot of lunch at Barnes & Noble on Union Square before going for a wander across to a very wet Stuyvesant Square where I saw an astonishing number of squirrels — a novelty for this Australian, and the most I had seen in any one spot during my entire trip! — until I finally admitted defeat and retreated back to The Inn. I couldn’t help feeling on this first afternoon as I listened to the thunder overhead and saw the trees outside my window being blown around that I had been transported into the summer storm described in Chapter 53 of The Angel of Darkness which the characters quietly wait out in the safety of Dr. Kreizler’s home, watching the wind-tossed trees in Stuyvesant Square across the road.

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