In a recent interview with Entertainment Weekly regarding his latest production Beasts of No Nation, Cary Fukunaga shared some interesting details about how his role as director for The Alienist TV series might play out. Commenting on the lengthy preparation time the series’ “hundreds of pages” of material would require (as opposed to the “100 or 110 pages of material” required for a typical feature film), he explained: “If I were to direct the whole thing, I would probably break it up into two or three parts, almost as if it was two or three movies, and then prep them in that way.” Given the need for such a pre-production, he went on to state that he has considered taking on a “directional partner” so that they “could hop-scotch and help each other out and really approach it in the same spirit of a film, which is collaboration. They’re equal with you in terms of executing it.”
Having directed the eight episode series True Detective solo, EW reports that this would be the first time Fukunaga has ever taken on a directional partner, so such a move would certainly be an interesting development. Whether such a step is taken, however, will largely depend upon the scripts that are turned in, and Fukanaga’s bosses are also said to prefer his tackling the show on his own as well.
It has long bothered me that The Alienist’ssupporting characters do not yet have completed character profiles here on 17th Street, particularly the historical figures. In order to correct this, I have decided to devote the next several months to finally completing the profiles once and for all. By way of beginning, you can find the newly completed character profile for Detective Sergeant Patrick Connor below as well as on the supporting characters list.
I cannot predict how long it will take me to complete the rest of the profiles given that most are historical figures, and I will be aiming to read at least one biography for each figure to aid me in completing their profile. I apologise for the lack of updates this will undoubtedly produce, but I’m sure you would agree with me that completed profiles for all the supporting characters are long overdue, and I hope you will understand why I’m taking the time away from the blog in order to finally complete this section of the site.
Connor, Detective Sergeant Patrick
Appears in The Alienist
John Moore, journalist and narrator of The Alienist, first meets Detective Sergeant Patrick Connor when he views the body of Giorgio Santorelli atop the Manhattan-side anchor of the Williamsburg Bridge in the opening chapters of the novel. Described only as slit-eyed and bearded, Connor is an adherent of the policing practices and attitudes that prevailed under Thomas Byrnes, the former police superintendent who had been forced into retirement the preceding year as a result of the wave of reform that followed the Lexow Committee’s investigation into police corruption. After initially causing Dr. Laszlo Kreizler consternation for spreading false information about the identity of the Giorgio’s murderer to members of the press, it does not take long before Connor is expelled from the force after it is discovered that he had also beaten Giorgio Santorelli’s father unconscious for refusing a bribe from a mysterious group attempting to hush the murder up.
Click here to read more. Warning: Contains spoilers for The Alienist
Despite his removal from the police force, Connor reappears later in the investigation when he forces John Moore and Dr. Kreizler into an ambulance at gunpoint in order to transport them to a meeting with the mysterious group composed of church officials, anti-vice crusader Anthony Comstock, and even the former police superintendent who have been covering up the murders and are opposed to the team’s investigation. Although the moderator for this meeting, the powerful financier J. P. Morgan, gives his approval for the investigation to continue after hearing Dr. Kreizler’s arguments in its favor, it soon becomes apparent that Connor and his associates—working under orders from others in the group who remain steadfastly opposed to the investigation—are determined to continue tracking Dr. Kreizler and the rest of the team as they perform their investigation, with tragic consequences.
When Dr. Kreizler and John leave New York City to follow a promising lead toward the conclusion of the investigation, Connor and his men lose track of their quarry and invade Dr. Kreizler’s house to establish his whereabouts from his household staff. Employing their usual strong-arm tactics, Connor and his associates attempt to beat the answer out of Dr. Kreizler’s young ward, Stevie Taggert; however, they are thwarted in this attempt by Mary Palmer, the Doctor’s housekeeper and love interest, who attempts to fight them off with a kitchen knife. Although she is successful in scaring them off—with her knife ending up in Connor’s side—she is knocked to the bottom of a flight of stairs during this altercation, and breaks her neck.
Even though Dr. Kreizler removes himself from the investigation at this point in order to care for Stevie and grieve the loss of Mary, it eventually transpires that Connor and his men have continued to track Dr. Kreizler’s movements. On the night Dr. Kreizler agrees to rejoin the investigation—a night when he knows the murderer, John Beecham, will strike—Connor follows Dr. Kreizler to the site of the final confrontation with Beecham, and intervenes with the intention of ensuring that Beecham is killed once and for all. Although Dr. Kreizler foresees this eventuality and takes steps to ensure their safety by hiring additional protection in the form of gangster Jack McManus, Connor still manages to kill Beecham before Sara Howard arrives on the scene and finally stops the former Detective Sergeant with a fatal shot from her revolver.
View Part One and Part Two of Following The Footsteps of Dr. Kreizler: A Travel Blog.
As regular visitors would be aware, I took a slightly different approach with the 17th Street blog last week by posting up an account of my recent Alienist-related travels that took me from Toronto, down through New York state following the Hudson River, before finally arriving on the Upper West Side of New York City. This week, I conclude my travel blog with an account of the second half of my holiday in New York, predominantly spent in the historic districts around Union Square where I was finally able to visit the locations that make up the heart of the Alienist novels. Enjoy!
The Inn At Irving Place
Following my short walk in Central Park with thunder rolling in the distance and storm clouds threatening, I moved from my hotel on the Upper West Side to my second hotel in the East 17th Street/Irving Place Historic District where I stayed for my final five nights in the city. When I had originally decided that I wanted to spend at least a portion of my trip down in the Union Square area, I looked at a number of different hotel options but ultimately couldn’t go past The Inn at Irving Place.
Ideally situated, the boutique hotel offered an experience I would not get anywhere else: an opportunity to get a taste of my favourite characters’ lifestyles by staying in a restored New York brownstone located only two blocks from Gramercy Park to the north, two blocks from Stuyvesant Square to the east, and one block from Union Square to the west. After checking in with the manager whose desk was located in the front parlor (see photos 3-4 below), I stayed in the “O Henry room” (see photos 6-12 below) which was tastefully appointed with genuine antiques and was well-proportioned, quiet, and had an unexpectedly large bathroom (for New York City). Located at the back of the brownstone on the second floor, the room had a pleasant view of the terrace and surrounding buildings (see photo 13 below). My regular breakfast spot in the tea room on the first floor also offered a delightful view, both inside and out (see photos 14-15 below).
All in all, I couldn’t have been happier with my choice of hotel and highly recommend it for any Alienist readers or lovers of history who want to experience life from an earlier time in a restored New York brownstone. Watch the steps, though — they are steep! (Something I experienced later on at the Merchant’s House Museum, too.)
Given the storm that had moved in, I decided to stay close to the hotel for the rest of the day by getting a spot of lunch at Barnes & Noble on Union Square before going for a wander across to a very wet Stuyvesant Square where I saw an astonishing number of squirrels — a novelty for this Australian, and the most I had seen in any one spot during my entire trip! — until I finally admitted defeat and retreated back to The Inn. I couldn’t help feeling on this first afternoon as I listened to the thunder overhead and saw the trees outside my window being blown around that I had been transported into the summer storm described in Chapter 53 of The Angel of Darkness which the characters quietly wait out in the safety of Dr. Kreizler’s home, watching the wind-tossed trees in Stuyvesant Square across the road.
View Part One and Part Two of Following The Footsteps of Dr. Kreizler: A Travel Blog.
Coinciding with our author’s 60th birthday today (many happy returns, Mr. Carr!), I have something a little different to offer for 17th Street’s visitors this week. For the past three months, I have been away from my Australian hearth and home for work-related travel in Canada. Given my close proximity to New York during this trip, I decided to take the opportunity to add on two weeks of pleasure-related travel at the end of the trip for a holiday in New York City — my first ever visit to the city! The following two-part blog series documents the Alienist-related components of my travel. Although I have tried to focus these blogs on locations visited during the books, I have also included a few other historical attractions that might be of interest to readers of the Alienist books even though they are not directly relevant to the books. So, without further ado, I invite you to join me as I follow the footsteps of Dr. Kreizler and the rest of the team on my holiday in Canada and New York.
The Bata Shoe Museum
The first attraction that I want to document might be the only one not located in New York state, but it is also the only one that quite literally involves following the footsteps of Dr. Kreizler — or, at least, Sara Howard. Those of you who have ever visited the History section of 17th Street will know that I have long adored historical clothing, particularly 19th century clothing, so you can imagine my excitement when I saw, on my final day in Toronto, that the Bata Shoe Museum was featuring an exhibition (until June of 2016) on “the pleasures and perils of dress in the 19th century.” The “Fashion Victims” exhibition showcases the Bata Shoe Museum’s collection of 19th century footwear along with a smaller but no less stunning array of matching dresses and under garments, including a pair of the Empress Elisabeth of Austria’s impossibly narrow shoes and gloves, and a beautiful but deadly Emerald green ball gown containing arsenic.
Although the exhibition featured footwear and clothing from as early as 1820, the photos I have shown here are a small selection of my favourite footwear exhibited from the late 19th century, not unlike those Sara would have kept in her wardrobe for more formal occasions; she presumably would have also kept a wide selection of more practical footwear for her day to day and sporting activities — not to mention the nail-studded climber’s boots we see her don in Chapter 2 of The Angel of Darkness. From left to right, the photos shown below include: a pair of elegant embroidered boots created by the firm of the most famous French shoe manufacturer of the late 19th century, Jean-Louis Francois Pinet, from approximately 1885; a pair of calf-hugging handmade, bespoke Swedish or German boots designed to look like a stockinged leg from the 1890s; a pair of button boots made with brocaded fabric (an alternative to the embroidery seen on the other boots in these photos) from the 1870s; a mass-produced boot made by the Parisian shoe manufacturer L. P. Perchellet with its original shoe box from 1875; and a stunning embroidered boot also created by Jean-Louis Francois Pinet from the 1880s.
In addition to the Fashion Victims exhibition (worth the price of admission alone), while I was there the museum also featured exhibitions of footwear through the ages, “the curious history of men in heels,” footwear of famous individuals donated to the museum, and something that probably would have been of great interest to Franz Boas and Clark Wissler: an exhibition of native North American footwear. As enjoyable as those exhibitions all were, as they weren’t relevant to the Alienist books I haven’t included any photos here. However, if you happen to be in Toronto at any stage in the future and have an interest in historical clothing, I can highly recommend that you allocate half a day to visit the museum. It was, without question, one of the highlights of my three month trip.
A Journey Down The Hudson River
After departing Toronto, I travelled by train down to Niagara Falls where I spent a day and night (an amazing experience that I would highly recommend if you ever get the chance) before embarking on a nine hour rail journey via Amtrak’s Empire Line down through New York state to New York City. While the first half of the journey took us through several hours worth of pretty if somewhat unremarkable farming scenery along with the occasional (mostly industrial) view of cities like Buffalo and Syracuse, the second half of the journey — from Albany onwards — saw the train snake alongside the Hudson River until we reached New York City, and this was unquestionably another of the highlights of my trip. I had been utterly unprepared for the size and beauty of the Hudson and mountains that lay beyond, bringing to mind my all-time favourite quote from either of the two Alienist books, spoken by the ever insightful Stevie Taggert.
The Angel of Darkness, Chapter 13:
“But it wasn’t any attempt at being rational that finally mended my spirits; no, it was the sight of the river itself, which always made me feel, somehow, like there was hope. She has that quality, does the Hudson, as I imagine all great rivers do: the deep, abiding sense that those activities what take place on shore among human beings are of the moment, passing, and aren’t the stories by way of which the greater tale of this planet will, in the end, be told…”
Nevertheless, those of you who have read The Angel of Darkness will know that the majestic Hudson River plays far bigger role in the novel than the scene in which Stevie makes that observation. Indeed, during The Angel of Darkness the team are are drawn from their usual haunts around Manhattan to the small town of Ballston Spa in upstate New York where they stay for at least half the novel; and to get to Ballston Spa, Dr. Kreizler decides to travel up the Hudson River on a steamer, the Mary Powell, as far as Troy (a town near Albany), before taking the train to their final destination. On this scenic interlude in the novel, the book’s narrator, Stevie Taggert, spends a considerable portion of his time smoking on the promenade deck with various other characters, first taking in the beauty of the Palisades and then at the “manor houses of the old Dutch and English river families” that dotted the hillsides further upstream. However, for Stevie, as for me, it was the untamed beauty of the Catskills and other mountains on the route that struck most profoundly.
In a recent interview with Entertainment Weekly regarding his latest production Beasts of No Nation, Cary Fukunaga shared some interesting details about how his role as director for The Alienist TV series might play out. Commenting on the lengthy preparation time the series’ “hundreds of pages” of material would require (as opposed to the “100 or 110 pages of material” required for a typical feature film), he explained: “If I were to direct the whole thing, I would probably break it up into two or three parts, almost as if it was two or three movies, and then prep them in that way.” Given the need for such a pre-production, he went on to state that he has considered taking on a “directional partner” so that they “could hop-scotch and help each other out and really approach it in the same spirit of a film, which is collaboration. They’re equal with you in terms of executing it.”
