Tag: The Alienist

Dakota Fanning Cast As Sara Howard

Posted on 3 Comments

TNT announced today that Dakota Fanning (American Pastoral) has been cast as intrepid police secretary, Sara Howard, in the upcoming TV adaptation of The Alienist. According to The Hollywood Reporter, this will be Ms. Fanning’s “first significant TV foray since her turn in Steven Spielberg’s 2002 Syfy miniseries Taken.” In the intervening time, she has appeared in films including The War of the Worlds (2005), The Secret Life of Bees (2008), the Twilight saga (2009-10), Effie Gray (2014), The Benefactor (2015), and most recently American Pastoral (2016). In the coming years, she will also be appearing in The Bell Jar and Ocean’s Eight.

In addition, there appears to be some good news for Alienist fans hoping for a loyal adaptation, with TNT’s press release describing the character of Sara Howard in terms consistent with the source material (see below). It will be exciting to see who is cast for the remaining members of the investigative team, as well as the important historical figure of Theodore Roosevelt. Production begins in early 2017 in Budapest.

Fanning’s character, the primly dressed but beautiful Sara Howard, is the first woman hired by the New York Police Department and she is determined to become the first female police detective in New York City. Self-possessed and intelligent, Sara grew up as an only child who was doted on by her father. She not only “shakes hands like a man,” but considers herself just as competent –- if not more so –- than any of the men on the force. Well-bred and well-spoken, Sara has a keen interest in crime-solving and is immediately intrigued by the case being investigated by Kreizler and Moore.

Mandatory Photo Credit: Photo by Andrew H. Walker/Variety/REX/Shutterstock (5895246bj), Dakota Fanning of ‘American Pastoral’, Variety and Shutterstock Portrait Studio, Day 1, Toronto International Film Festival, Canada – 09 Sep 2016

Daniel Brühl and Luke Evans Cast in TNT’s The Alienist

Posted on 8 Comments

Daniel BruhlThe long-awaited news of who will be playing Dr. Laszlo Kreizler and John Moore in TNT’s upcoming adaptation of The Alienist was announced on Monday. Daniel Brühl (Rush, Inglorious Bastards, Captain America: Civil War) has been cast as Dr. Kreizler, while Luke Evans (The Girl on The Train, The Hobbit trilogy, Dracula Untold) has been cast as John Moore. TNT have also confirmed that shooting will begin in Budapest in early 2017.

While the casting of these two talented actors is certainly an exciting development, there was some troubling news to accompany this announcement as well. Namely, the description in the press release of John as “a society illustrator for the New York Times” who “always [lacks] drive and a meaning to his pursuits.” For any visitors who may feel that I am over-reacting in describing this as “troubling” — after all, John remaining a crime reporter can’t really be that important, can it? — I would ask you to remember what his role on the team was described as in the novel:

“What the hell was the idea of getting my whole house up and forcing me to go down there, anyway? It’s not as though I can report that kind of thing, you know that–all it did was agitate my grandmother, and that’s not much of an achievement.”

“I’m sorry, John. But you needed to see just what it is we’ll be dealing with.”

“I am not dealing with anything!” I protested again. “I’m only a reporter, remember, a reporter with a gruesome story that I can’t tell.”

“You do yourself no justice, Moore,” Kreizler said. “You are a veritable cyclopedia of privileged information–though you may not realize it.”

… “Tell me, Moore,” Laszlo asked, “what’s your opinion of Ellison? Is there any chance he is involved?”

“Biff?” I sat back, stretched my legs out, and weighed it. “He is, without question, one of the worst men in this city. Most of the gangsters who run things now have some kind of human spark in them somewhere, however hidden. Even Monk Eastman has his cats and birds. But Biff–for all I can tell, nothing touches him. Cruelty is really his only sport, the only thing that seems to give him any pleasure. And if I hadn’t seen that body, if this were just a hypothetical question about a dead boy who worked out of Paresis Hall, I wouldn’t hesitate to say he’s a suspect. Motive? He would have had a few, the most likely being to keep the other boys in line, make sure they pay their full cut to him. But there’s just one problem with it–style. Biff is a stiletto man, if you know what I mean. He kills quietly, neatly, and a lot of people he’s supposed to have killed have never been found. He’s all flash in his clothes, but not in his work. So, much as I’d like to, I can’t say as I see him involved in this. It’s just not his–style.”

I glanced up to find Laszlo giving me a very puzzled look. “John, that is the most intelligent thing I’ve ever heard you say,” he finally announced. “And to think that you wondered why you’d been brought along.” He turned to Theodore. “Roosevelt, I shall require Moore as my assistant. His knowledge of this city’s criminal activities, and of the locales in which those activities take place, will make him invaluable.”

This being John’s role, it therefore makes little sense for his profession to be changed to “a society illustrator,” nor is it clear why such a change would be necessary for creative reasons. Moreover, while John may lack drive during investigations at times, he does take his work seriously. One need only look to the opening of the novel’s sequel, The Angel of Darkness, to see this aspect of his character on full display — not to mention making it clear why it’s important for John to be represented as a writer rather than an illustrator.

Finally, I would ask any new visitors to 17th Street to note that this news follows some deeply worrying audition recordings that surfaced earlier in the year in which it became clear that the characters of Marcus Isaacson and Sara Howard had been changed significantly from how they were portrayed in the novel. At the time, I had been hopeful that these audition recordings would not be representative of the production as a whole. For now, however, I suppose we will have to wait and see.

Anthony Comstock Character Profile

Posted on No Comments

As regular 17th Street visitors would be aware, I am (very) slowly completing the supporting character profiles for historical figures that appear in The Alienist. As part of this, I recently completed the profile for the notorious United States Postal Censor, Anthony Comstock. You can now find his character profile below as well as on the supporting characters list.

Comstock, Mr. Anthony

Appears in The Alienist

The fanatical moral reformer Anthony Comstock (1844-1915) only appears in The Alienist on one occasion, but he plays an important role in the novel behind the scenes. Born in Connecticut and raised in a devout Congregationalist home, Comstock served two years in the Union Army before moving to New York City where he married and found work in a dry-goods establishment. Appalled by the city’s rampant vice, Comstock helped to form the New York Society for the Suppression of Vice in 1872. The following year, he came to prominence for convincing legislators that abortion and birth control was as much of a threat to public morality as the “obscene” material (i.e., pornography and indecent literature) targeted by existing legislation. He argued that the consumption of such material resulted from increasing promiscuity among younger generations that was concealed through contraceptive use and abortifacients. Until this point, there had been no federal restrictions on abortion or birth control.

As a result of Comstock’s lobbying, Congress passed An Act for the Suppression of Trade in, and Circulation of, Obscene Literature and Articles of Immoral Use, better known as the Comstock Law, in 1873. The act strengthened existing legislation as well as banning the importation, sale, or distribution of any materials relating to abortion or contraception. Penalties for breaking the law included fines of up to $5,000, or jail and hard labor for a maximum of 10 years. Following the passage of the act, Comstock was appointed as a “special agent” of the United States Postal Service, a role he maintained from 1873 to 1915. During his time as Postal Censor, Comstock’s zealous enforcement of the law resulted in more than 3,600 arrests, and drove at least sixteen people to suicide, including the well-known abortionist Ann Lohman.

Although originally concerned with birth control and abortion, Comstock’s moral crusade had expanded to such a point by the time The Alienist was set in 1896 that he was even attempting to suppress nudity in artwork and medical anatomy textbooks, resulting in indiscriminate raids on art galleries and art schools. By this time, he had also written several books to educate the public about moral dangers in the urban environment.

Click here to read more. Warning: Contains spoilers for The Alienist

We don’t meet Anthony Comstock in The Alienist until John Moore and Dr. Kreizler are taken at gunpoint to the meeting with church officials and former Police Superintendent Thomas Byrnes at the financier J. P. Morgan’s mansion. At this meeting we discover that Comstock has been among those trying to hinder progress in the investigation. While Byrnes’ opposition related to a concern that the team’s methods may threaten his legacy, and church officials feared an uprising of the immigrant population, Comstock’s opposition was rooted in his fear that through becoming “actively involved in civic affairs,” Dr. Kreizler would “spread unrest by discrediting the values of the American family and society.” Specifically, he believed that Dr. Kreizler’s theory of context “speaks against freedom, against responsibility,” and is ultimately “un-American.” In Comstock’s view, the investigation therefore needed to be stopped because if the team were to succeed, Dr. Kreizler’s dangerous ideas “might gain greater credence.” (For more on this, see Part Two of the 17th Street blog about the themes of The Alienist.)

Even though J. P. Morgan is convinced by Dr. Kreizler’s arguments in favour of continuing the investigation, he explains to Kreizler and John that he believes, “Byrnes will continue to harass you, in an effort to preserve the methods and organization he has spent so many years establishing. And he will have Comstock’s support.” True to this prediction, the team continues to be tailed as they go on with the investigation. However, it quickly becomes apparent that although Byrnes and Comstock may have originally been responsible for having the team followed, neither individual may now be calling all the shots. Even John is surprised by an attack they receive while on the road. Kreizler is convinced that Comstock is behind the attack, but John disagrees: “Long-range assassins don’t really seem like Comstock’s style, though.” How much blame can therefore be attributed to Comstock for the events that follow in the novel is unclear.

Sources and further reading: Kenneth T. Jackson (Ed.), “The Encyclopaedia of New York City” (1995), Wilbur R. Miller (Ed.), “The Social History of Crime and Punishment in America: An Encyclopedia” (2012), and Luc Sante, “Low Life: Lures and Snares of Old New York” (1991).

Another Interview with Caleb Carr

Posted on 4 Comments

Caleb CarrCaleb Carr appeared a podcast with James Altucher earlier this week. During their hour long discussion, the pair touched on numerous different topics ranging from Mr. Carr’s childhood through to his latest novel Surrender, New York. They also discussed the process of writing, and touched on his methods when writing The Alienist and The Angel of Darkness. An excerpt from the interview appears below along with a link to the full podcast.

James Altucher (JA): “So, fast forwarding, you did a bunch of best-selling novels. You also did a lot of nonfiction books about military history, terrorism; you’ve done a ton of essays. I recommend people read all of them actually, because they’re all so intelligent. But I do want to get to Surrender, New York. Why now? Why is this … the first time you’re doing a contemporary thriller set in modern times? You’ve done future, you’ve done past — you haven’t done now.”

Caleb Carr (CC): “Two reasons. I reached a point in my life where I wanted to write something that would give people really close insight into my life without it being blatant. I wanted to return to that idea. Get a little closer than the Alienist books did. And also, I’m now going to do two more Alienist books.”

JA: “A sequel and a prequel, right?”

CC: “A sequel and a prequel, right. And they’re both going to be told by Kreizler.”

JA: “Which is different than The Alienist and The Angel of Darkness.”

CC: “Right, and I needed to find a way to speak in the voice of what’s always considered the man behind the curtain in these things. Like Sherlock Holmes. Conan Doyle wrote one story told by Sherlock Holmes — terrible failure. But Kreizler’s a very different character. I wanted to find a way to speak about these matters — about all the things we’ve been discussing, these psychological matters and personal matters — in a way that would make people comfortable … so it didn’t sound like a case file, so it didn’t sound like a scientific study. So it gave you insight into the character because people really are fascinated by Kreizler. They want to know what gives with this guy.”

You can listen to the full interview on James Altucher’s website.