The Italian Secretary, 20 Years On – Part Three

View Part One, Part Two, and Part Three of The Italian Secretary 20th anniversary series.

On this final day of the year, it seems fitting to conclude our celebration of The Italian Secretary by harkening back to the origins of 17th Street itself. When this website was opened on December 31 of 2005, I could scarcely imagine the impact it would have on me personally and, more broadly, on Caleb Carr’s loyal readership over the years that were to follow. What started as a way to pay homage to an author and a book series that had touched the lives of so many — the Alienist novels — quickly turned into something far richer and more enduring than I ever anticipated: a space for readers to come together to reflect, imagine, and discover hidden layers in Caleb’s works that will keep them alive long into the future.

Portrait of Dr. Kreizler as provided by a visitor to the website, Tiffany.

In this spirit, I thought it would be enjoyable to close this anniversary series by bringing Caleb’s own brilliant creation, the enigmatic Dr. Laszlo Kreizler, together with Holmes to address the question posed in The Italian Secretary’s afterword: What would have happened had Caleb let the worlds of Holmes and Kreizler collide? As Charles Finch noted in his USA Today review of Surrender, New York: “…every word of fiction Carr has produced seems to have been written in either direct or indirect conversation with Sir Arthur Conan Doyle.” This is no accident, particularly as it pertains to the Alienist novels. In the essay Caleb contributed to Ghosts in Baker Street in 2006 (in lieu of the story that turned into The Italian Secretary), he explained his motivation in some depth:

“In attempting to bring to life a late nineteenth-century psychologist who becomes his own form of ‘amateur detective,’ I intended to pay homage to, and recognize the works of, all the forensic and consulting psychologists that Conan Doyle so carefully failed to mention in his own works. But at the same time, I had no desire to reinvent Sherlock Holmes, even in a veiled form, nor would mine be an attempt to demonstrate any shortcomings of the great detective’s character, or that of his creator’s. Rather (at least ideally), the two fictional creations and intellectual approaches would be complementary, not contradictory, for one can pay homage far more effectively by filling some of the available creative space around a beloved character than by trying to crowd the same territory through imitation or reinvention.”

The Sherlock Holmes Companion: An Elementary Guide

Caleb further elaborated on his decision to focus on the work of early psychologists in the interview he gave to The Sherlock Holmes Companion in 2009. Clarifying that “the idea of the Alienist was really to create a character to solve all the cases Sherlock Holmes could not solve,” he pointed out that there was “a whole category of crimes — stranger-based crimes — that have no evidence trail. If you ignore motivation and profiling, they will remain unsolved forever.” Conan Doyle avoided addressing this class of crime in the Holmes stories as he wanted to demonstrate the use of reason to solve crime purely on the basis of physical evidence; but it was these stranger-based crimes that became the foundation for the Alienist books.

By considering the respective motivations of the authors involved, we get our first clue of what might have happened had Caleb brought Holmes and Kreizler together on a case. With this in mind, let us now turn back to The Italian Secretary’s afterword to explore the ideas presented there about what such a meeting might have entailed and what its outcome might have been.

“Dr. Kreizler, Mr. Sherlock Holmes…”

“Dr. Watson, Mr. Sherlock Holmes,” said Stamford, introducing us.

“How are you?” he said cordially, gripping my hand with a strength for which I should hardly have given him credit. “You have been in Afghanistan, I perceive.”


“How on earth did you know that?” I asked in astonishment.


“Never mind,” said he, chuckling to himself.

Sir Arthur Conan Doyle, A Study in Scarlet
Sherlock Holmes and John Watson

As Jon Lellenberg, the U.S. Representative to the Conan Doyle Estate, points out in the opening of The Italian Secretary’s afterword, perhaps the most famous and fated introduction in the whole of English literature occurs in A Study in Scarlet when Dr. John H. Watson meets the great consulting detective, Sherlock Holmes. Each in need of a fellow lodger to split the rent, they are introduced at the chemistry laboratory of St. Bartholomew’s Hospital by Watson’s former surgeon’s assistant, Stamford. It was a meeting that resulted in a crime-solving partnership that has never been equaled in modern detective fiction, spanning several decades, four novels, and fifty-six short stories. But what would have happened if the meeting had gone a different way?

The first alternative Lellenberg contemplates in his essay is a meeting between Dr. Watson and Dr. Kreizler; however, he ultimately concludes that the lack of tension between the two — both medical men who, despite differing specialties, agreed that the mind is shaped by biological and environmental factors — would not have resulted in a particularly effective partnership, at least as far as solving crime is concerned. Indeed, the pairing may more closely have resembled the extant relationship between Dr. Kreizler and Lucius Isaacson, who had medical training as rigorous as Watson’s, though with a far greater knowledge of forensics. While Kreizler and Lucius work well together, as a contained crime-solving duo, one could argue that they are not best placed to augment each other’s limitations, which is why a team of investigators is needed in the Alienist novels. One must turn away from Watson, then, if one is to bridge the worlds of Conan Doyle and Caleb Carr.

Portrait of Sherlock Holmes by Sidney Paget

The meeting Lellenberg prefers to imagine is one that would have resulted in far greater tension: that between Dr. Kreizler and Sherlock Holmes himself. From their very introduction, the pair would undoubtedly have sized each other up and come to mutually wary conclusions about the other’s method. While Kreizler, always open to eccentric characters (as Stevie noted in The Angel of Darkness), would have been intrigued by Holmes’s powers of observation and deduction, Lellenberg correctly notes that he would also have grown “impatient with its limitations.” Holmes, on the other hand, would likely have been suspicious of the doctor’s emphasis on psychological context, for, as he once warned Watson in A Scandal in Bohemia, “It is a capital mistake to theorize before one has data. Insensibly one begins to twist facts to suit theories, instead of theories to suit facts.” Yet, despite this, Lellenberg doesn’t see this tension as problematic; rather, the two men’s contrasting approaches may have been the very fuel that would have propelled an investigation forward:

…the desire to see the two approaches — Holmes’s and Kreizler’s — collide with each other cannot be gainsaid. We must be dialecticians ourselves if we are to give both approaches their just due. Whether a collaboration would be set in London or New York at the end of the nineteenth century is immaterial — both of those great metropolises offer fertile ground for a case that would challenge each of these men, and make for a partnership profoundly upsetting to both, but tremendously interesting to the reader. Sparks would fly, and it is easy to imagine Watson and Moore quietly retiring to one of their clubs every so often to get away from the scene and commiserate together. But the temptation is there. I hope Mr. Carr succumbs to it eventually.

The Italian Secretary, Afterword

Unfortunately, when Caleb was asked in an interview with The Age whether he was ever likely to succumb to the temptation, he was not enthusiastic. “That’s not my fictional style,” he explained. “I’m known for incorporating real historical characters into my books. It’s far more likely that Conan Doyle, rather than Holmes, would appear in a Kreizler tale.” Although this may have disappointed readers keen to see the first consulting detective collaborate with the first forensic psychologist, Caleb’s instinct was a perceptive one, particularly given his motivation regarding the Alienist novels themselves. After all, Kreizler was not interested in brilliant minds for their own sake; he was interested in the psychological contexts that shaped them. In this light, Conan Doyle himself — rather than his creation — may have been the most compelling subject for a Kreizler inquiry.

“Dr. Kreizler, Sir Arthur Conan Doyle…”

“Do not,” Kreizler answered slowly, trying very hard to be clear, “look for causes in this city. Nor in recent circumstances, nor in recent events. The creature you seek was created long ago. Perhaps in his infancy — certainly in childhood. And not necessarily here.”

The Alienist, Chapter 6
Self Portrait (1888) by Charles Altamont Doyle

The year 1893 was a momentous one for Sir Arthur Conan Doyle. On October 10, the newly famous author’s father, Charles Altamont Doyle, died suddenly at the age of 61 from what was described as “a fit during the night” while confined at the Crichton Royal Institution in Dumfries, Scotland. An illustrator and watercolorist who had once exhibited at the Royal Scottish Academy, Charles Doyle had spent much of the previous decade at Sunnyside, the Montrose Royal Lunatic Asylum, after struggling with depression and alcoholism. In later years, his dependence on alcohol was compounded by epileptic seizures and episodes of memory loss.

This alone would have been a tragic set of circumstances. However, just two months after Charles Doyle’s death, in December of the same year, his son added to them by making the unthinkable decision to kill off his most famous creation — a character who also was no stranger to addiction, as we see in the opening paragraphs of The Sign of Four, published in 1890:

Sherlock Holmes took his bottle from the corner of the mantel-piece and his hypodermic syringe from its neat morocco case. With his long, white, nervous fingers he adjusted the delicate needle, and rolled back his left shirt-cuff. For some little time his eyes rested thoughtfully upon the sinewy forearm and wrist all dotted and scarred with innumerable puncture-marks. Finally he thrust the sharp point home, pressed down the tiny piston, and sank back into the velvet-lined arm-chair with a long sigh of satisfaction.

Three times a day for many months I had witnessed this performance, but custom had not reconciled my mind to it. On the contrary, from day to day I had become more irritable at the sight, and my conscience swelled nightly within me at the thought that I had lacked the courage to protest. Again and again I had registered a vow that I should deliver my soul upon the subject, but there was that in the cool, nonchalant air of my companion which made him the last man with whom one would care to take anything approaching to a liberty. His great powers, his masterly manner, and the experience which I had had of his many extraordinary qualities, all made me diffident and backward in crossing him.

Yet upon that afternoon, whether it was the Beaune which I had taken with my lunch, or the additional exasperation produced by the extreme deliberation of his manner, I suddenly felt that I could hold out no longer.

“Which is it to-day?” I asked,—“morphine or cocaine?”

He raised his eyes languidly from the old black-letter volume which he had opened. “It is cocaine,” he said,—“a seven-per-cent. solution. Would you care to try it?”

The Sign of Four, Chapter 1

Although Conan Doyle would eventually resurrect his great detective, the events of 1893 invite a more searching question, one that Dr. Kreizler, with his insistence that “the answers one gives to life’s crucial questions are never truly spontaneous,” would surely have asked. Of course, Conan Doyle always insisted that the hyperrational Holmes — far removed in temperament from his troubled, artistic father — was largely inspired by another important figure in his life, Dr. Joseph Bell, for whom he had clerked at the Royal Infirmary of Edinburgh; but it is noteworthy that Bell himself rejected the idea, writing to his former clerk, “You are yourself Sherlock Holmes and well you know it.”

Arthur Conan Doyleby Henry L. Gatesoil on canvas, 1927NPG 4115© National Portrait Gallery, London

It is curious to consider what Dr. Kreizler would have made of Sir Arthur Conan Doyle. As we saw in Part One, Caleb was deeply sympathetic to the creator of Holmes, particularly in relation to the author’s struggles with grief. And perhaps it is this that would have offered the most likely opportunity to bring the author into Kreizler’s orbit, had Caleb decided to go down such a path. There were, after all, only limited opportunities for the two to have credibly crossed paths, as Conan Doyle visited New York a mere handful of times: once in 1894 — which would have required a prequel to the Alienist novels — or later, between 1922 and 1923, when he was on his speaking tour devoted to spiritualism.

I favor the latter as the more compelling opportunity for Caleb to have brought the two together. By the early 1920s, an aging Kreizler would have been facing his own reckoning with grief as Stevie’s health declined, forcing him to confront the limits of intellect and reason in the face of loss. Conan Doyle, too, arrived in New York in 1922 carrying the heavy weight of bereavement. Although he had turned to spiritualism prior to the Great War, the deaths of his son Kingsley, his brother Innes, and other close family members during this time only strengthened his commitment to his metaphysical beliefs.

Fifth Avenue in 1925

While it is, of course, Caleb alone who could have best brought these characters together, one can nonetheless imagine a scenario in which the world-famous author might have found his way to the door of 283 East Seventeenth Street with an unsettling case only Dr. Kreizler and his team could hope to address. For my own part, I think it would have been fascinating to see how these characters — now aging, reflective, and increasingly aware of mortality — might have applied their respective approaches in the altered intellectual and social landscape of New York in the 1920s. Such a meeting, had it occurred, could have proved revealing on all sides.

Alas, we must leave such imaginings where they belong: in the realm of speculation. For whatever reason, the meeting between Kreizler and Conan Doyle was never written, but the fact that it feels so tantalizingly possible speaks to the care with which Caleb shaped his fictional worlds, all of which were deeply rooted in history, psychology, and moral inquiry. As we end The Italian Secretary’s anniversary series, and 17th Street enters its third decade, it feels appropriate to simply be thankful that we have been left with such a treasure-trove of richly imagined works that they still invite analysis and reflection this many years on.

A Peek Behind the Scenes of The Alienist

In honor of the 30th anniversary of The Alienist last year, we spent several months tracing the novel’s publication history, along with that of its sequel, The Angel of Darkness. Today, on what would have been Caleb Carr’s 70th birthday, I feel fortunate to be able to share a previously unseen slice of his writing process, generously provided by a member of his family. Ever the meticulous researcher, Caleb revealed in interviews from the ‘90s that in the lead-up to his writing of The Alienist, his research and plot outline was so extensive that it covered the walls of his one-bedroom apartment. In a 1997 interview with Publishers Weekly, it was noted that:

…he devoted “seven to eight months” to “pure research” and plotting. Carr points to a wall of the room. “From the corner of this room all the way across the wall, The Alienist was plotted out on tiny strips of paper.” After an equal amount of time spent writing, he turned in the manuscript.

Research board created by Caleb Carr as part of his planning process for The Alienist in 1994

Although the tiny strips of paper have not been found (if they still exist), we can now glimpse a tangible remnant from that time. A large board was recently unearthed containing a poster of the brain, along with several maps directly tied to The Alienist. In today’s post, we will take a closer look at two of these maps—and in doing so, learn more about the real history that shaped Caleb’s vision for The Alienist.

Wards and Police Precincts

Even though a street map of contemporary Manhattan occupies the largest section of the board, it is the hand-drawn map pinned beside it that offers the greatest insight into Caleb’s research process for the book. Focused on Midtown and Lower Manhattan, the dark pencil lines on this map mark the boundaries of Manhattan’s police precincts from the 1890s. Each precinct is labelled according to its number (e.g., ‘1st Pct.’), and in the middle of each is a star with street intersections corresponding to the precinct’s station house. For example, Caleb has noted that the First Precinct’s station house was located at 52-54 New Street, which is consistent with the station house’s address noted in The Manual of the Corporation of the City of New York.

Readers of The Alienist will remember that police precincts play an important role in the novel. As early as Chapter 2 when John visits the first crime scene, the fact that police from two different precincts were in attendance provided the first clue that the murders under investigation were of a concerning variety:

Near the entrance to the watchtowers atop the anchor, standing under the flimsy light of a few electric bulbs and bearing portable lanterns, were several patrolmen whose small brass insignia marked them as coming from the Thirteenth Precinct (we had passed the station house moments before on Delancey Street). With them was a sergeant from the Fifteenth, a fact that immediately struck me as odd—in two years of covering the criminal beat for the Times, not to mention a childhood in New York, I’d learned that each of the city’s police precincts guarded its terrain jealously. (Indeed, at mid-century the various police factions had openly warred with each other.) For the Thirteenth to have summoned a man from the Fifteenth indicated that something significant was going on.

But the precincts aren’t the only focus of the map. A close inspection shows lightly dashed pencil markings atop the precinct boundaries. These markings, which don’t directly match the precincts, correspond to New York’s administrative ‘wards’. From 1686 until the mid-19th century, these subdivisions were the smallest political unit in the city and played a crucial role in local elections. Ward ‘bosses’ (often saloonkeepers) wielded considerable influence, and by the 1850s, the ward system was viewed by reformers as the city’s principal source of corruption.

Even so, this wasn’t the reason Caleb was interested in ward boundaries. By the 1890s, New York’s wards had been replaced with districts for political purposes. Indeed, at this time in the city’s history, the ward system only served two vestigial functions: the administration of public schools (this was centralized in 1896) and the conduct of state and federal censuses. It is the latter of these that caused wards to play a role in The Alienist, and an important one at that.

In Chapter 39, John Moore and Sara Howard pay a visit to Mr. Murray of the Census Bureau to determine whether Beecham, the murderer, may have worked as an enumerator during the 1890 census. While there, the following exchange takes place:

I tried another tack: “I trust he didn’t do anything untoward while he was working in the Thirteenth Ward?”

Murray grunted once. “If he had, I hardly would have promoted him from enumerator to office clerk and kept him on for another five years—” Murray caught himself and jerked his head up. “Just a minute. How did you know he was assigned to the Thirteenth Ward?”

I smiled. “It’s of no consequence. Thank you, Mr. Murray, and good evening.”

Further on in the chapter, John explains:

Enumerators had received their assignments according to congressional districts, which in New York had been subdivided according to wards. My question to Murray about Beecham in the Thirteenth Ward had, I told Sara, been a guess: I knew that Benjamin and Sofia Zweig had lived in that ward, and I was going on the theory that Beecham had met them while working in the area, perhaps even while interviewing their family for the census.

We can see clearly that it was John’s knowledge of the city’s wards and the role they played in the census that led to a breakthrough in the case. One hand-drawn map can therefore tell us much about the novel and Caleb’s process in writing it.

Map of the Harvard campus with annotations by Caleb Carr

Harvard Campus Map

In addition to the precinct map, the other item of interest on the board is a hand labelled map of the Harvard campus. Like the street map next to it, the document is contemporary, but the locations Caleb marked with sticky notes provide a fascinating insight into his outlining and planning process. Of note, most of the locations are not featured in the single flashback scene in The Alienist set at Harvard, so readers may wonder at their significance. To address this, we must first turn back to Chapter 5 in the novel where we learn about the fateful clash that first brought Theodore Roosevelt, Laszlo Kreizler, and John Moore together while they were studying at Harvard in the fall of 1877.

In this scene, we learn that Moore and Roosevelt had, for differing reasons, decided to take a course in comparative anatomy taught by William James, the man who would come to be viewed as the father of modern American psychology but who, at that time, was teaching philosophy and anatomy to undergraduates. At the same time, Kreizler had also been drawn to study with James, but for a different reason. The young Dr. Kreizler had recently completed his medical degree at Columbia’s College of Physicians and Surgeons and was undertaking a new graduate course in psychology offered by James.

Although the youthful Kreizler admired his professor, the two had a fundamental disagreement over a long-standing philosophical debate that still sits at the heart of psychology today, as John explains:

James had been a maudlin, unhealthy boy, and as a young man had more than once contemplated suicide; but he overcame this tendency as a result of reading the works of the French philosopher Renouvier, who taught that a man could, by force of will, overcome all psychic (and many physical) ailments. “My first act of free will shall be to believe in free will!” had been James’s early battle cry, an attitude that continued to dominate his thinking in 1877. Such a philosophy was bound to collide with Kreizler’s developing belief in what he called “context”: the theory that every man’s actions are to a very decisive extent influenced by his early experiences, and that no man’s behavior can be analyzed or affected without knowledge of those experiences.

What started as a battle between the two in the new psychology laboratory James had established in Lawrence Hall eventually led the pair to host a public debate at University Hall, with most of the student body in attendance. Somewhat predictably, the engaging professor won the debate, but this was not the end of Kreizler’s battles that night. Dining with Moore at a tavern across the Charles River, the young Roosevelt approached and engaged Kreizler in an argument that turned personal:

Kreizler laid down the challenge for an affair of honor, and Theodore delightedly took him up, suggesting a boxing match. I knew Laszlo would have preferred fencing foils—with his bad left arm he stood little chance in a ring—but he agreed, in keeping with the code duello, which gave Theodore, as the challenged party, the choice of weapons. To Roosevelt’s credit, when the two men had stripped to their waists in the Hemenway Gymnasium (entered, at that late hour, by way of a set of keys I had won from a custodian in a poker game earlier in the year) and saw Kreizler’s arm, he offered to let him choose some weapon other than fists; but Kreizler was stubborn and proud, and though he was, for the second time in the same evening, predestined for defeat, he put up a far better fight than anyone had expected. His gameness impressed all present and, predictably, won him Roosevelt’s heartfelt admiration.

This richly painted scene established the background needed to bring the three characters back together twenty years later. Yet, if we look closely, the locations featured only included Lawrence Hall, University Hall, the Hemenway Gymnasium, and the unnamed tavern across the Charles River. Of these, only Lawrence Hall is marked on Caleb’s map. What are the other locations, then?

The answer can be found in biographies of Theodore Roosevelt. In the youthful Roosevelt’s freshman year at college, he lived in Mrs. Richardson’s boarding house at 16 Winthrop Street, one of the locations marked on the map. Similarly, the Agassiz Museum, otherwise known as the Museum of Comparative Zoology, was one the young man’s haunts in his junior and senior years. The significance of Dane Hall is a little more difficult to establish, but perhaps the solution lies in the fact that it was only a short distance from the Hemenway Gymnasium where the fateful boxing match in the novel takes place.

Although we can never know for certain, it appears as though this map was annotated before the scene at Harvard was plotted. And it seems likely from the locations marked that Caleb worked backwards from Roosevelt’s time at the college to plan the scene. Perhaps his original ideas included 16 Winthrop Street or the Agassiz Museum, or perhaps he was merely working out relative distances.

In any case, like the precinct map, it provides an intriguing insight into his process. I hope readers found this sneak peek behind the scenes of The Alienist as interesting as I did researching it. Happy Birthday, Caleb. You are missed.

Interview from the KPFA Archives

A kind visitor to 17th Street recently got in touch to share that KPFA radio has digitized, remastered, and edited an interview with Caleb Carr from October 15, 1997 that hasn’t been heard in over a quarter century. In this half hour interview, Caleb talks exclusively about the Alienist novels, including the approach he took in researching and writing both novels and providing insights into his inspiration and intentions. For fans of The Alienist or The Angel of Darkness, this fascinating interview contains insights not found anywhere else. You can listen to the interview below or download it from KPFA here.

In addition, the Press page has been updated to include two interviews I had not previously been aware of. One from the New York Times News Service in 1999 describes Caleb’s purchase of his Cherry Plain property, and the other from The Denver Post in 2001 focuses on his future-oriented novel, Killing Time.

I hope you enjoy these newly unearthed interviews. If you know of any others that aren’t already on the Press page, please feel free to contact me.

Celebrating 30 Years of The Alienist – Part Five

View Part One, Part Two, Part Three, Part Four, and Part Five of The Alienist 30th anniversary series.

With the year nearing its end, the time has come for the last post in our celebration of the 30th anniversary of The Alienist’s publication. To honor the novel and its author, we have so far discussed its origins and first/special editions (Parts One and Two), explored early attempts to adapt it to the screen (Part Three), and summarized the publication history of its sequel, The Angel of Darkness (Part Four). In order to complete our homage today, we now turn our attention to the novel’s many translations and consider its enduring legacy.

Translations

Perhaps one of the best markers of a novel’s success is how widely translated it has been, and The Alienist is no exception. Although our celebration so far has primarily focused on the novel’s reception in the United States, this is only the tip of the iceberg when it comes to its status as a bestseller. As described in Part Two, The Alienist was a worldwide phenomenon upon its release. Since that time, millions of copies have been sold, and it has been translated into over two dozen languages.

While it is beyond the scope of this blog series to provide details about each and every translation, a very small subset of covers for translated editions can be viewed below. These include editions in German, French, Italian, Spanish, Czech, and Russian.

Continuation of the series

Over the past 20 years, perhaps the most frequently asked question I’ve received as the owner of 17th Street relates to whether the series will ever be continued. Although the idea of a third novel was floated on and off in interviews with Caleb Carr following The Angel of Darkness’ publication (see Part Four), it wasn’t until 2016 that the long-awaited announcement was made: Mulholland Books would be publishing two new Alienist novels intended to ‘bookend’ the series. More exciting still, the books would shed light on the two most enigmatic characters in the series: Miss Sara Howard and Dr. Kreizler himself.

The first novel, titled The Alienist at Armageddon, would focus on Kreizler. Set 18 years after The Angel of Darkness and drawing on Caleb’s expertise as a military historian, the Vice President of Mulholland Books explained that the novel would be “set against a stage of rising nationalist violence and the early spy state,” and was “centered on nativist violence and terrorism during America’s involvement in World War I.” The blurb, which can still be found on the defunct Amazon page (it was never published), describes the story in the following way:

The Alienist at Armageddon begins in the winter of 1915, soon after the start of the First World War. Reuniting the original’s beloved characters, the story is told from the perspective of Dr. Laszlo Kreizler–the famous psychologist, or “alienist,” and his friend and comrade, John Moore, crime reporter for the New York Times. A massive explosive detonates mere feet from Kreizler’s home, marking the fourth in New York City in as many months.

With his friends at his heels, Kreizler takes up his own case, and the cases of the other explosions. Amid the turmoil in New York City, they receive a news report: the RMS Luisitania, a British passenger ship bound for Liverpool from New York with Americans on board, has sunk mysteriously just eleven miles off the Irish coast. With international tensions high at the onset of the Great War, and many in Europe clamoring for American intervention, Kreizler’s case threatens to embroil not only his own life, but the lives of his countrymen, in the greatest and most deadly conflict modern civilization had ever seen.

Not as much is known about the second novel, which was set to act as a prequel. This work, titled The Strange Case of Miss Sara X, was described in the announcement as a story in which “a youthful Kreizler, after finishing his psychology training at Harvard, falls under the spell of William James, has his first run-in with Roosevelt, and delves into the secret life of Sara Howard, heroine of the first books.” Presumably, it was intended to finally reveal the mystery at the heart of Sara’s story: what really happened to her father.

Unfortunately, five years after the series continuation was announced, Caleb revealed to 17th Street that the first novel had suffered a significant delay due to a necessary change in its concept and plot. More importantly, he was waging a formidable health battle that had further slowed its progress. The wider circumstances around this extremely difficult period can be learned in My Beloved Monster, the memoir Caleb ultimately devoted his final years to completing — a beautiful tribute that memorialized the loving relationship he shared with his feline companion, Masha.

Surrender, New York

Surrender, New York

Even though fans of The Alienist did not, in the end, get the direct series continuation they may have been hoping for, the books were not left completely unresolved. In 2016, Caleb published what would turn out to be his last work of fiction, Surrender, New York, in which a modern criminal psychologist was drawn into a puzzling case involving the deaths of local children abandoned by their parents. Despite being set in the present day, the novel shared several key thematic elements with the original series and directly referenced the trailblazing theories of Dr. Kreizler.

“The idea that came to me was what if you had a man who used some modern tools, but applied Kreizler’s principles to a modern case?” Caleb said in an interview with Literary Hub in 2016. Beyond the references to Kreizler’s theories woven throughout the story, the novel required the same rigorous research as the original works. “I was going through these New York State documents, and I kept finding references to ‘throwaway children,'” he explained. “It turns out it is a widespread problem. That is the pitfall of research. It takes you places you didn’t plan to go. It stopped being a simple book.”

In addition to the victims in the novel being youths from vulnerable sections of society (like those in the Alienist books), Surrender also explored themes that ran through the earlier works such as corruption, what happens when investigators get too emotionally involved in a case, and the contrast between crime in rural and urban regions of New York. Even the book jacket design shared similarities with the hardcover editions of the original series, from its color palette to the title design elements.

While I wouldn’t recommend that readers approach Surrender, New York expecting the same atmosphere as the original novels given its contemporary setting, fans can still enjoy digging into a world in which Dr. Kreizler’s legacy has been kept alive for more than 100 years by an equally interesting and complex team of investigators. In more ways than one, Surrender, New York can be thought of as a fitting capstone for a series that made a mark on the historical thriller genre that even its author never anticipated.


I hope you have enjoyed this exploration of The Alienist’s publication history. Even though this post concludes the 30th anniversary celebration, the journey doesn’t end here!

17th Street will be continuing to add and update content over the coming years, exploring different aspects of Caleb Carr’s work (not just the Alienist books) to keep his legacy alive. If you would like to receive periodic updates, I encourage you to sign up for the newsletter. You are also welcome to get in contact to suggest topics for discussion or examination here on the blog.