Welcome to 17th Street, a website dedicated to Caleb Carr and the Alienist books. It features the latest Caleb Carr news, a full author biography and interview list, book summaries and timelines for The Alienist and The Angel of Darkness along with synopses Caleb Carr's other work, analyses of the characters from the Alienist books, and information on the real history behind the Alienist books. Navigation for this site is at the top, showing the different sections of the site. Relevant links within the section (if applicable) will show up in the left column.
The entertainment industry is buzzing with the news today that Cary Fukunaga, Emmy Award winning director of True Detective, will direct and executive produce the eagerly anticipated television drama series inspired by The Alienist, first announced by Paramount Television and Anonymous Content in April/May of last year. Oscar winning writer and producer Eric Roth (Forrest Gump) and Oscar nominated writer and director Hossein Amini (The Wings of the Dove) have also been named as executive producers. It is reported that Hossein Amini has written the pilot, and will go on to write the series.
Paramount Television’s President Amy Powell and Anonymous Content’s Steve Golin and Rosalie Swedlin were quoted by Variety on this exciting development:
“‘The Alienist‘ is a fascinating and distinctive, fast-paced psychological thriller that is wonderfully evocative of the unrivaled Gilded Age of New York City,” said Paramount Television President Amy Powell. “Cary Fukunaga’s unique vision and ability to render compelling, distinctive and superbly atmospheric direction is the perfect voice for this television series. We are thrilled to have not only Cary’s expert direction, but also the creativity, imagination and storytelling abilities of the supremely talented Eric Roth and Hossein Amini.”
“We are thrilled that Paramount has entrusted us and our brilliant creative dream team — Eric Roth, Hossein Amini, and Cary Fukunaga — to bring this much beloved, bestselling novel to the screen,” said Anonymous Content’s Steve Golin and Rosalie Swedlin, who will also executive produce the series. “The multi-episodic format will enable us to do justice to the complexity of Caleb Carr’s storytelling and his vivid and detailed portrait of late 19th century New York in all its splendor and grittiness.”
As we have already learned in the 17th Street book blog series, one of Caleb Carr’s inspirations while writing the Alienist books were the original Sherlock Holmes novels and short stories. Mr. Carr explained in an interview with Australian newspaper The Age in 2005 that, “Kreizler was invented quite consciously as a character who could solve all the crimes Holmes couldn’t, in which there’s little or no physical evidence and no apparent motive – the product of aberrant criminal psychology.” Beyond Dr. Kreizler, there are references to the original Sherlock Holmes stories within the books as well, such as the inclusion of Filipino pygmy, El Niño, in The Angel of Darkness. Mr. Carr acknowledged in an interview with The Seattle Times in 1997 that El Niño was “a little tip of the hat to Conan Doyle and the pygmy in ‘The Sign of Four.’ A lot of people have told me they consider the pygmy an absurd character. That’s one reason I love this time period. What looks absurd to us now wasn’t absurd then – eccentricity was really appreciated and cultivated.”
In 2005, Mr. Carr took his interest in Sherlock Holmes one step further by accepting a commission from the estate of Sir Arthur Conan Doyle to write a further Holmes tale. His final product, The Italian Secretary, took Holmes from the foggy, gas lit streets of late nineteenth century London to the Royal Palace of Holyroodhouse in Edinburgh, with a mystery that revolved around a double murder that called the great detective’s mind back to the (real life) murder of David Rizzio, private secretary to Mary Queen of Scots. The novel was well-received, with The Guardian describing Mr. Carr’s characterisation as “outstanding,” USA Today complimenting Mr. Carr’s “astute and unerring […] portrayal of Holmes and his techniques,” and Publisher’s Weekly suggesting that the novel would appeal to Holmes fans and scholars due to the “deep knowledge and understanding of Holmesiana” on display in the text.
Following the publication of The Italian Secretary, Mr. Carr was interviewed for Daniel Smith’s 2009 Sherlock Holmes reference text, The Sherlock Holmes Companion: An Elementary Guide, that was updated and reissued in late 2014. Mr. Smith explains in his Introduction to the guide that he chose “individuals whose lives have become entwined with the Holmes legend” as subjects for the “Holmes and Me” interviews that he decided to scatter throughout the text as a means of offering further insight into the “enigma” that is Sherlock Holmes. In the 2014 reissue, Mr. Smith’s interview with Mr. Carr spans three pages of the text and explores questions such as when and how Mr. Carr first became interested in the Sherlock Holmes stories (as a boy of eight years old, it turns out); the particular challenges he faced in writing a new Holmes tale; the revival of Holmes in the twenty-first century and what it says about popular culture; the role Sherlock played in the creation of the Alienist novels; and finally, what Sherlock Holmes—the character—means to him. It’s an interview that is well worth perusing if you are a Caleb Carr reader who also loves Sherlock Holmes, as I am.
The Caleb Carr interview aside, the 2014 reissued guide is a worthy addition to the library of any interested Sherlock Holmes reader. Opening with a social and political chronology of historical events that correspond to the period from Holmes’ first reported case until he went into retirement (i.e., 1879-1903), the majority of this beautifully illustrated 224-page text comprises spoiler-free synopses (each synopsis is one page long) of all four Holmes novels and fifty-six short stories. It also contains brief biographies of Holmes’ creator Sir Arthur Conan Doyle and notable Holmes illustrator Sidney Paget, analyses of the main characters who appear throughout the stories, and a series of essays that look at specific elements of the literary Holmes (e.g., “Holmes as the Detective-Scientist”) as well as his role in popular culture (e.g., “Holmes on Stage, Screen, and Radio”). Finally, scattered throughout the text are the aforementioned “Holmes and Me” interviews with individuals ranging from writers such as Mr. Carr, to actors such as Edward Hardwicke who played Dr. Watson for the acclaimed Granada TV production alongside Jeremy Brett, to the co-creator of the hit TV series Sherlock, Mark Gatiss.
Also scattered throughout the text are a number of fun insets that are sure to appeal to any readers like myself who love learning about the minutiae of the books we love. One such inset contains a list of Sherlock Holmes’ most significant writings. Another contains the now famous illustrated floor plan of 221B Baker Street that was created by Russell Stutler after a close reading of the canonical stories. And yet another (my personal favourite) contains an illustrated guide to the Holmes/Watson firearm collection—immensely helpful for readers such as myself who don’t know their pistols from their revolvers! The only inset that is missing, in my opinion, is a similar illustrated guide to Sherlock’s collection of pipes, although it is worth mentioning that a discussion of the subject is offered in the short yet informative “Holmes and His Pleasures” essay.
While it is likely that this guide won’t cover any terribly new ground if you already own a number of Sherlock texts, if you would like a comprehensive introductory guide to the original Sherlock Holmes canon then this is an excellent choice. Moreover, for Caleb Carr readers, there is, as I’ve already mentioned, the added bonus of an interesting and informative interview spread. Enjoy!
I was delighted to receive an alert last week that Firsts: The Book Collector’s Magazine will be featuring Caleb Carr in their March/April 2015 issue. The focus of the feature, entitled From Misery Mountain: Collecting Caleb Carr, is described as follows on the magazine’s website:
Caleb Carr grew up in New York City in what might seem like a rarified literary atmosphere. His father’s close circle of friends included William Burroughs, Jack Kerouac and Alan Ginsberg. Did they directly affect young Caleb’s future career? Yes, but not in ways you might expect. We take a look at the author of The Alienist.
In addition to the feature article, the March/April issue also contains a checklist of first editions of Mr. Carr’s published work, ranging from his novels to his military history publications. As both a reader of Mr. Carr’s work and a bibliophile, I thoroughly look forward to receiving my copy of the March/April issue later this month.
If you would like to order a copy of the March/April issue, you can do so at the Firsts magazine website.
It’s February 14th, and love is in the air! — or so Hallmark would have us believe. So, for those of you who are curling up with a book you love this Valentine’s Day instead of, or in addition to, a more conventional partner, I thought this might be a good opportunity to spend some time talking about the books we love, and in particular to address the question of what those books say about us. This topic was prompted by a recent post on Book Riot where a contributor discussed a conundrum they recently faced in preparing to attend a book event for Valentine’s Day in which attendees were to asked to bring a copy of their favourite book to exchange with other book lovers. Specifically, the contributor couldn’t decide which book they should bring. As they explained, “I have many favourite books, but if a favourite book says something about you, I have to choose wisely.” Elaborating, they went on to say:
Plath’s The Bell Jar might not be the best message I want to send. I don’t know if The Catcher in the Rye is too cliché, or too much of a “guy’s” book. I love anything and everything Flannery O’Connor, but I’m not quite sure what that message would be. Gone With the Wind? Might send a confusing message without my explanation of why I love it, and who wants to carry around such a hulking book, anyway? Little Women? I mean, come on – ask most writers, we love Jo March. But it seems a little quaint for me.
Reading this, I couldn’t help wondering with some amusement what the contributor of that Book Riot post would think if someone such as myself were to turn up to such an event carrying a book with a storyline that included, to quote Stevie Taggert, “slaughtered boy-whores, cannibalism, and eyeballs in a jar”? Of course, strictly speaking, if I were to turn up to that kind of event with an Alienist book, it would be more likely to be The Angel of Darkness which is actually my favourite of the two novels. But is it really much of an improvement to turn up with a book containing a storyline that features, to quote John Moore, “kidnapping, murdered infants, grave robbing—and we did the grave robbing, for God’s sake—”?
Of course, for those of you who have read last year’s special three-part series on The Alienist, you will know that my reasons for loving the Alienist books extend far beyond “slaughtered boy-whores, cannibalism, and eyeballs in a jar.” Nevertheless, to all the other readers of the Alienist books, I find myself curious. What does your love of the Alienist books say about you? And if you weren’t going to take an Alienist book to represent “you” at a book exchange event, what novel would you take and why?
For those of you who might be curious, if I wasn’t going to take an Alienist book to represent “me” at a book exchange event, you would most likely find me with a copy of The House of Mirth or The Age of Innocence by Edith Wharton (impossible to choose between them), Mansfield Park, Emma, or Persuasion by Jane Austen (another impossible choice), The Woman in White by Wilkie Collins, Anna Karenina by Leo Tolstoy, To Kill a Mockingbird by Harper Lee, or The Meaning of Night by Michael Cox instead. All are among my favourite novels (the full list is, of course, much longer), all were written by psychologically insightful authors, and all explore similar themes in different ways; but none, it’s worth pointing out, have plots that revolve around serial killers (with the possible exception of The Meaning of Night depending on how you want to define “serial killer”).
Perhaps this will come as a surprise to many 17th Street visitors, but as a general rule I’m not a reader of horror or grisly crime fiction. Instead, my favourite novels—that is, the novels I re-read rather than those I read just once—tend to be classics or literary fiction that tackle the eternal questions, especially the question of what makes us who we are. William Nicholson gave C. S. Lewis a now famous line in Shadowlands: “We read to know we’re not alone.” I absolutely agree. In my own case, there is something comforting in the knowledge that there were, and continue to be, others out there—the Edith Whartons, Jane Austens, Leo Tolstoys, and Caleb Carrs of the world—who have, throughout history, seen human nature in much the same way that I do.